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♪♪

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♪♪

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-Hi, there,
and welcome to the show.

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I'm Nancy Guppy, and
this week, we are coming to you

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from the wonderful Columbia City
Gallery on Rainier Avenue South.

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Opened in 1999,
Columbia City Gallery

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is a collective
for artists by artists

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who are empowered
to drive the programming

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and operations of the gallery.

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Artworks exhibited here
cover a wide range of mediums,

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including painting,
ceramics, printmaking, glass,

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sculpture, mixed media,
jewelry, and more.

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♪♪

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In addition to featuring
members of the collective,

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the gallery has
a community exhibit area

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that invites artists
from all walks of life

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to showcase their work.

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Highlighting these creatives

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is a crucial component
to the gallery's mission

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of amplifying
underrepresented voices

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and bringing
in new perspectives.

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Put it all together,
and the upshot is this.

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Columbia City Gallery is
a dynamic hub of lively

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and diverse exhibits,
performances,

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and public art programs
designed to support

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and sustain artists
and, equally important,

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to inspire and connect
residents and visitors.

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Doesn't get better than that.

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The gallery is currently
accepting applications

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for membership
into the collective,

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as well as proposals
for community exhibits.

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For more information
on how to apply,

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go to columbiacitygallery.com.

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We've got a terrific show
for you,

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including an inspiring
and inclusive choir...

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-Resounding love
has turned into a space

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where people maybe
felt powerless,

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that they feel empowered.

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-...a brand new outdoor
walking guide...

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...and music from
singer-songwriter Ethan Tucker.

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-♪ Well, back in the day,
summertime would never end ♪

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♪ And all this talk
of growin' up ♪

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♪ It was just pretend, you see ♪

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-And we'll begin with the very
talented artist and designer

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Shogo Ota.

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♪♪

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-How do my art
communicate to the world?

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You know,
people create something,

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and that visual affects
people's feelings and memories.

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And, you know,
art and mural doesn't talk,

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but it speaks to you, and it
have some kind of communication.

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My name is Shogo Ota.

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I am an artist, designer,

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in Camano Island.

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I have been printed with my art

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into scarves, jerseys,
wine bottles.

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I recently did a gin and vodka
for a local company,

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silkscreen printed
posters, mugs.

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Yeah, everything,
everything you see, yes.

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My hometown is Gifu Prefecture.

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I actually wanted to go
to university in Japan,

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but I failed all exams.

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Went to Idaho
and started studying English.

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Never thought about it being a
professional artist or designer.

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Five years later,
I moved to Seattle

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for this internship for
graphic design company.

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I made a poster for just fun.

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I submit it to the local
newspaper called "The Stranger"

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in Seattle, and then
they used it for cover art.

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Then I started my own studio.

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I decided to use the name,

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the name of the guy, Tireman,
and Tireman Studio.

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And it's been
like about 12, 13 years.

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Lots of people ask me my style,

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which I do not have
just one style.

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One person called me, "Oh, you
have a style like a chameleon."

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I have drawn chameleon
before, yes.

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There's a big mural in SODO.

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It's like 100-foot-wide
big chameleon piece

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on the warehouse.

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I do love making things
to surprise people, yes.

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I like their reactions,

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and I like my art becoming their
memories and surprise moments

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and, you know,
even like small gift,

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you know, make them
a little happy, you know?

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I love that.

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I work with Sounders
and Krakens,

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Seattle Krakens,
and now Seattle Reign.

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When my art becomes
jerseys and scarves,

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yes, I feel really special

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and being a part
of the community and the team

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at the same time.

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That's, you know, one of the,
you know, achievements

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every time I work on it.

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♪♪

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So, I have done
World Cup poster,

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Seattle poster
that was competitive work.

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So I have to submit my portfolio
and a sketch first,

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and I heard
over 200 people submitted.

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I was really proud and surprised
that I got selected

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and won that competition.

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So this is my original sketch.

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You know,
I usually write down the theme

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and what they're looking for
and key, you know, words.

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That's the orca tail with Lumen
Field arch on top part together

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and then Seattle map inside
in really abstract way.

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I like those visual ideas that
gives you answer right away.

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So it almost communicates
right away,

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and then, "Oh.

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I think that's one of the
biggest achievements I've done.

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World Cup is I think one
of the biggest sports events

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in the world. Means a lot,

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and I feel really lucky
about that.

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I do love seeing my art
actually in the real world.

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Sometimes I see
people wearing it

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randomly in the city.

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That makes me really happy
and feels my art is alive.

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Going to FIFA World Cup was
definitely one of my bucket list

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you know, since I was little.
Many people will see that

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and then, like, especially
for younger kids,

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might come visit Seattle
for the World Cup

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or sightseeing around that time.

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If my poster became
their kind of visual memories,

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like, you know,
10, 20 years later,

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"Oh, I remember I went
to Seattle with my parents,

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and the World Cup was going on,
and I saw that orca whale poster

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and I used to have that
in my room," you know?

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So my art can create that kind
of memories for small kids

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or, you know, any people.

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I think that's really amazing.

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So, this mural project is
for the city of Bellingham.

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I'll be working on that
next couple weeks.

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I'm thinking some kind
of cool, high contrast,

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like, Pacific Northwest animals
in there.

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The movement of pencil
helps me a lot.

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It's almost
conversational process.

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I can use that visual
for giving myself some feedbacks

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and then draw something new
and then edit a little bit

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and make it better and better
little by little.

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I think it's pretty close
to that sketch.

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I didn't change
the concept much.

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It's just the little details.

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So, it's like a big
circle shape,

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and there's two animals,
a big salmon on the bottom.

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You know, tail is on the top,

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and then Mount Baker
because this is Bellingham,

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a little sun there,
and the eagle's flying over.

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People usually check our works
like on a cellphone or computer.

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But if you actually be there
and then see how big it is,

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and the energy from the art is
totally different from screens.

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Yeah, I love what I do. That
makes me keep going and happy,

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because I cannot do this
by myself.

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I always need
to work with the team

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or clients or community,
you know?

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And all my projects
are different,

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but always with someone.

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So I love the connections
and teamwork and the results.

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Already, like, people, you know,
they're kind of walking by here

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and gave us lots
of good compliments,

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like, "Oh, that looks so cool."

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They already
taking photos of it.

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Yeah. [ Laughs ]

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Art is really part of
the community and people's life

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and good inspirations
and everything,

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like really good vibes. Yeah.

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♪♪

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-Learn more about Shogo
at tiremanstudio.com

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and pick up Shogo's
World Cup poster

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through the official
FIFA website.

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Many voices
coming together in song

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can be a powerful experience for
both singers and the listeners,

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which is certainly the case
with the Resounding Love Choir.

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-♪ So many troubles ♪

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-♪ The troubles of this world ♪

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-♪ I can't hear you
singin' 'bout it ♪

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-Resounding Love is a choir
that sings gospel,

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that sings spirituals,

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that sings songs of protest.

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And so we try to bring
all those things together

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so that we can be the change
that we want to see in the world

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-♪ As we, we fight so hard ♪

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♪ Don't stop fighting ♪

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-There is so much richness
and diversity and expression

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of the human experience, right?

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And we all
bring those things together,

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and we create this magical sound

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that I call the
Resounding Love sound.

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-I would also say that it's,

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for some people,
it's a space of safety.

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For some people,
it's their space for release.

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It's community.

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It's where they come to,
uh, get away from it all, right?

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They come. They're able to use
their voice to sing, to sing,

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to actually use your voice
for something good.

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-♪ I believe that today ♪
-♪ I believe that today ♪

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-♪ It will be ♪
-♪ The best day of my life ♪

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-♪ I believe ♪
-♪ I believe ♪

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-I think Resounding Love
is a work

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that I cannot measure in time,

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because it is something that is
such a big part of our life.

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It's hard to quantify it
in time.

202
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What I will say is it requires
a great deal of time.

203
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-It does.
-And it is also a careful dance,

204
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because we have a product

205
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that we have to create
and perform,

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but we also have to make sure

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that the people are enriched
by the product,

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that they are seen,
that they are felt,

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that they feel respected
and honored in their diversity.

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Like, we're not trying to shove
any kind of spirituality

211
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down their throat. We're
just literally trying to say,

212
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"Hey, come in
into this space of love."

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And it takes a great deal
of work for that to take place.

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[ All singing warm-up
vocalizations ]

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Resounding Love
has turned into a space

216
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where people have
maybe felt powerless,

217
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-that they feel empowered.
-Yes.

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-They feel like they're
not alone in their frustrations,

219
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in their anger,
in their spaces where they feel,

220
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"I'm not able to do enough,"

221
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they get to be joined with
other people, like-minded.

222
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-On this journey we call life.
-Yes.

223
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-♪ Hallelujah, hallelujah ♪

224
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-Hallelujah.

225
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-♪ Hallelujah, hallelujah ♪

226
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-Hallelujah.

227
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-♪ Hallelujah ♪
-Halle!

228
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-♪ Hallelujah ♪
-Halle!

229
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-♪ Hallelujah ♪
-Halle!

230
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-♪ Hallelujah ♪

231
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♪ Hallelujah, hallelujah ♪

232
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♪ Hallelujah, amen ♪

233
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-That's the focus
that we're required

234
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for every single part
of singing that we do.

235
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-Yes.
-Have a seat.

236
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♪♪

237
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-We met in church,
and I was just visiting.

238
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You know, I didn't know that
I was going to meet a friend,

239
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'cause that's how
we started off, as friends,

240
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as a brother, as somebody who --
'cause I was new to the area.

241
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-And through our conversation,

242
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we realized that we had
so much more in common.

243
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Our worldviews were aligned.

244
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How we looked at music
was aligned,

245
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just making sure
that it was equality.

246
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But I will say there have been
many, many nights

247
00:12:45,766 --> 00:12:48,477
in our development together

248
00:12:48,477 --> 00:12:50,979
where we sat right on the couch
behind us,

249
00:12:50,979 --> 00:12:54,483
and we just had
profound conversations.

250
00:12:54,483 --> 00:12:57,569
And there was a time
when he did say,

251
00:12:57,569 --> 00:13:01,323
"You know, I could see myself
falling in love with you."

252
00:13:01,323 --> 00:13:05,953
And I was like,
I wasn't ready for that.

253
00:13:05,953 --> 00:13:08,914
But I was.

254
00:13:08,914 --> 00:13:13,001
Our proposal was at the 2024...

255
00:13:13,001 --> 00:13:15,337
-Benaroya.
-...Benaroya concert.

256
00:13:15,337 --> 00:13:19,174
I proposed to him in front of
over 500 people at that concert.

257
00:13:19,174 --> 00:13:21,760
And I did that because I felt
like there was a greater chance

258
00:13:21,760 --> 00:13:23,303
that he would say yes

259
00:13:23,303 --> 00:13:25,347
and not embarrass me
in front of 500 people.

260
00:13:25,347 --> 00:13:27,140
So it worked in my favor.

261
00:13:27,140 --> 00:13:28,892
-Truth is, I told him, I said,
you didn't have to do that.

262
00:13:28,892 --> 00:13:30,686
We could have just -- You
could have said it that morning.

263
00:13:30,686 --> 00:13:32,104
"Hey, let's go get married."
We would have went

264
00:13:32,104 --> 00:13:33,605
to the justice of the peace,
got it done.

265
00:13:33,605 --> 00:13:35,232
But, you know, it was wonderful.

266
00:13:35,232 --> 00:13:37,860
They surprised me.
I do not like surprises.

267
00:13:37,860 --> 00:13:40,863
I do not like surprises.
They got me good.

268
00:13:40,863 --> 00:13:43,198
-One, two, three.

269
00:13:43,198 --> 00:13:46,994
-♪ Lift every voice and sing ♪

270
00:13:46,994 --> 00:13:49,371
-I think love means

271
00:13:49,371 --> 00:13:54,042
that I look beyond
the things that divide us.

272
00:13:54,042 --> 00:13:55,878
I acknowledge them,

273
00:13:55,878 --> 00:13:59,715
but I also look beyond them
and see what connects us.

274
00:13:59,715 --> 00:14:01,800
I want to see a part of myself
in you,

275
00:14:01,800 --> 00:14:03,927
'cause if I can
see myself in you,

276
00:14:03,927 --> 00:14:06,221
then I don't want to do harm
to myself.

277
00:14:06,221 --> 00:14:08,807
-There you go.
-I have to value you

278
00:14:08,807 --> 00:14:10,601
as I value myself.

279
00:14:10,601 --> 00:14:14,188
I think love also means
telling the truth,

280
00:14:14,188 --> 00:14:17,900
because we understand
that this is not perfection.

281
00:14:17,900 --> 00:14:19,651
We're not perfect.

282
00:14:19,651 --> 00:14:25,449
But how we deal with injury
makes us profoundly loving.

283
00:14:25,449 --> 00:14:26,742
-Yeah.

284
00:14:26,742 --> 00:14:29,578
[ All singing indistinctly ]

285
00:14:29,578 --> 00:14:32,706
-We are one another's strengths.

286
00:14:32,706 --> 00:14:35,834
And I trust that --

287
00:14:35,834 --> 00:14:40,005
what I like to pray to
is divine love in this space,

288
00:14:40,005 --> 00:14:42,257
that divine love
is already here,

289
00:14:42,257 --> 00:14:43,800
already manifested

290
00:14:43,800 --> 00:14:46,303
in the beauty of each
and every one of you.

291
00:14:46,303 --> 00:14:48,430
This is the sound of belonging.

292
00:14:48,430 --> 00:14:50,474
-Mm.
-Listen!

293
00:14:50,474 --> 00:14:53,560
-This is what it sounds
like to belong.

294
00:14:53,560 --> 00:14:59,441
-♪ Walk on the water ♪

295
00:14:59,441 --> 00:15:03,111
♪ Don't be afraid ♪

296
00:15:03,111 --> 00:15:08,700
♪ I am here always ♪

297
00:15:08,700 --> 00:15:12,538
-What this world needs
is healing.

298
00:15:12,538 --> 00:15:15,666
And everybody
is deserving of it.

299
00:15:15,666 --> 00:15:20,254
And if they can get into a space
where they are impacted

300
00:15:20,254 --> 00:15:23,006
by the message of the songs
that we sing

301
00:15:23,006 --> 00:15:24,967
and the spirit that we bring,

302
00:15:24,967 --> 00:15:27,678
and it causes
a transformation in them

303
00:15:27,678 --> 00:15:31,223
that makes them better,
stronger, more loved,

304
00:15:31,223 --> 00:15:34,268
more cared for, more seen,

305
00:15:34,268 --> 00:15:36,270
then that is what we want.

306
00:15:36,270 --> 00:15:39,857
♪♪

307
00:15:39,857 --> 00:15:45,988
-♪ Yet ♪

308
00:15:45,988 --> 00:15:49,616
♪ Begun ♪

309
00:15:49,616 --> 00:15:51,076
[ Cheers and applause ]

310
00:15:51,076 --> 00:15:54,413
♪♪

311
00:15:54,413 --> 00:15:56,540
The change happens with you.
It happens with you.

312
00:15:56,540 --> 00:15:58,333
It happens with you.

313
00:16:03,380 --> 00:16:05,465
-More about the
Resounding Love Choir,

314
00:16:05,465 --> 00:16:07,968
including a schedule
of upcoming performances,

315
00:16:07,968 --> 00:16:10,053
is on their website.

316
00:16:10,053 --> 00:16:14,683
-♪ Don't be afraid ♪

317
00:16:14,683 --> 00:16:17,603
-Our musical guest
this week is Ethan Tucker,

318
00:16:17,603 --> 00:16:20,439
performing his original song
"Every Moment"

319
00:16:20,439 --> 00:16:23,275
from the stage
of the Sunset Tavern.

320
00:16:30,949 --> 00:16:40,459
♪♪

321
00:16:40,459 --> 00:16:50,010
♪♪

322
00:16:50,010 --> 00:16:59,394
♪♪

323
00:16:59,394 --> 00:17:03,774
-♪ Well, back in the day,
summertime would never end ♪

324
00:17:03,774 --> 00:17:05,192
♪ And all this talk
of growin' up ♪

325
00:17:05,192 --> 00:17:08,278
♪ It was just pretend, you see ♪

326
00:17:08,278 --> 00:17:12,783
♪ We broke our neighbor's fence
to make our fort ♪

327
00:17:12,783 --> 00:17:17,538
♪ We'd wake up in the afternoon
and ride our skateboards ♪

328
00:17:17,538 --> 00:17:22,459
♪ Never gave a second thought
to where the time went ♪

329
00:17:22,459 --> 00:17:26,797
♪♪

330
00:17:26,797 --> 00:17:31,593
♪ Never gave a second thought
to the money we spent ♪

331
00:17:31,593 --> 00:17:38,392
♪♪

332
00:17:38,392 --> 00:17:42,938
♪ And every moment's
like a dream ♪

333
00:17:42,938 --> 00:17:45,440
♪ And this life's
a flowing stream ♪

334
00:17:45,440 --> 00:17:47,526
♪♪

335
00:17:47,526 --> 00:17:50,153
♪ Of memories, it seems ♪

336
00:17:50,153 --> 00:17:53,323
♪♪

337
00:17:53,323 --> 00:18:01,331
♪ And time
never stays the same ♪

338
00:18:01,331 --> 00:18:05,878
♪ But don't call it a shame,
shame, shame ♪

339
00:18:05,878 --> 00:18:08,505
♪ Just embrace the change ♪

340
00:18:08,505 --> 00:18:12,676
♪♪

341
00:18:12,676 --> 00:18:17,931
♪ And don't give up now,
don't give up on yourself ♪

342
00:18:17,931 --> 00:18:21,518
♪♪

343
00:18:21,518 --> 00:18:26,523
♪ And don't fear to put
your heart back on the shelf ♪

344
00:18:26,481 --> 00:18:30,485
♪♪

345
00:18:30,485 --> 00:18:34,573
♪ Because you only live
this moment once ♪

346
00:18:34,573 --> 00:18:38,535
♪ So don't fear
to have some fun ♪

347
00:18:38,535 --> 00:18:47,127
♪♪

348
00:18:47,127 --> 00:18:55,719
♪♪

349
00:18:55,719 --> 00:19:04,353
♪♪

350
00:19:04,353 --> 00:19:07,523
♪ And a good friend told me
that change is a law of life ♪

351
00:19:07,523 --> 00:19:12,069
♪ She said don't fear no pain
and don't fear no strife ♪

352
00:19:12,069 --> 00:19:17,908
♪ Because, 'cause all this bad
will be gone pretty soon ♪

353
00:19:17,908 --> 00:19:22,538
♪ When you pray, give thanks
for the earth and moon because ♪

354
00:19:22,538 --> 00:19:25,666
♪ Because this planet is
a home for you and me ♪

355
00:19:25,666 --> 00:19:30,921
♪ It's a home for the grass, and
it's a home for the trees and ♪

356
00:19:30,921 --> 00:19:34,132
♪♪

357
00:19:34,132 --> 00:19:37,594
♪ And don't fear
to show some love, love, love ♪

358
00:19:37,594 --> 00:19:40,722
♪♪

359
00:19:40,722 --> 00:19:46,061
♪ And don't fear to have
some faith in the above, child ♪

360
00:19:46,061 --> 00:19:52,025
♪♪

361
00:19:52,025 --> 00:19:56,780
♪ 'Cause every moment's
like a dream ♪

362
00:19:56,780 --> 00:19:59,283
♪ And this life's
a flowing stream ♪

363
00:19:59,283 --> 00:20:01,410
♪♪

364
00:20:01,410 --> 00:20:03,996
♪ Of memories, it seems ♪

365
00:20:03,996 --> 00:20:07,291
♪♪

366
00:20:07,291 --> 00:20:15,340
♪ And time
never stays the same ♪

367
00:20:15,340 --> 00:20:19,761
♪ But don't call it a shame,
shame, shame ♪

368
00:20:19,761 --> 00:20:22,431
♪ Just embrace the change ♪

369
00:20:22,431 --> 00:20:30,480
♪♪

370
00:20:30,480 --> 00:20:38,572
♪♪

371
00:20:38,572 --> 00:20:46,622
♪♪

372
00:20:46,622 --> 00:20:49,166
♪ And every moment's
like a dream ♪

373
00:20:49,166 --> 00:20:51,168
♪♪

374
00:20:51,168 --> 00:20:55,589
♪ And this life's
a flowing stream ♪

375
00:20:55,589 --> 00:20:58,175
♪ Of memories, it seems ♪

376
00:20:58,175 --> 00:21:01,428
♪♪

377
00:21:01,428 --> 00:21:09,311
♪ And time
never stays the same ♪

378
00:21:09,311 --> 00:21:13,440
♪ But don't call it a shame,
shame, shame ♪

379
00:21:13,440 --> 00:21:17,569
♪♪

380
00:21:17,569 --> 00:21:20,739
♪ Just embrace the change ♪

381
00:21:20,739 --> 00:21:28,580
♪♪

382
00:21:28,580 --> 00:21:31,375
-[ Cheers and applause ]
-Thank you.

383
00:21:33,877 --> 00:21:36,964
-For more about Ethan,
including upcoming performances,

384
00:21:36,964 --> 00:21:39,383
go to ethantuckermusic.com

385
00:21:39,383 --> 00:21:42,678
and listen for Ethan's
original song, "High Time,"

386
00:21:42,678 --> 00:21:45,556
in the Netflix series
"Ransom Canyon."

387
00:21:45,556 --> 00:21:49,726
♪♪

388
00:21:49,726 --> 00:21:51,603
Finally, spring is upon us,

389
00:21:51,603 --> 00:21:54,606
which means spending lots more
time in the great outdoors,

390
00:21:54,606 --> 00:21:57,860
and a new book from
Maria Dolan and Kathryn True

391
00:21:57,860 --> 00:22:00,487
will help us to do just that.

392
00:22:03,782 --> 00:22:07,119
"Seattle Field Guide:
Explore Nature in the City,"

393
00:22:07,119 --> 00:22:08,745
published by The Mountaineers,

394
00:22:08,745 --> 00:22:13,125
features 38 lovely,
nature filled treks.

395
00:22:13,125 --> 00:22:16,170
Tightly written with beautiful
color photographs,

396
00:22:16,170 --> 00:22:18,589
the guide highlights
diverse destinations

397
00:22:18,589 --> 00:22:22,718
throughout the city -- beaches,
boat rides, forests,

398
00:22:22,718 --> 00:22:27,514
gardens, vistas, along with
descriptions of the terrain,

399
00:22:27,514 --> 00:22:29,183
tips on accessibility,

400
00:22:29,183 --> 00:22:32,895
and special instructions
of what to see where.

401
00:22:32,895 --> 00:22:34,563
Don't miss the heron colony

402
00:22:34,563 --> 00:22:38,233
near the Ballard Locks.
"Seattle Field Guide"

403
00:22:38,233 --> 00:22:41,570
is available in your favorite
indie bookstore, online,

404
00:22:41,570 --> 00:22:43,780
and through
the Mountaineers website,

405
00:22:43,780 --> 00:22:47,242
and Maria and Kathryn
have a number of upcoming live

406
00:22:47,242 --> 00:22:50,704
and local events,
including a presentation

407
00:22:50,704 --> 00:22:54,625
and guided nature walk on
Saturday, May 2nd at 2:00 p.m.

408
00:22:54,625 --> 00:22:57,377
at the Downtown Seattle
Public Library,

409
00:22:57,377 --> 00:23:00,756
and on Saturday,
May 16th at 1:00 p.m.

410
00:23:00,756 --> 00:23:03,467
at the Seward Park
Audubon Center.

411
00:23:05,802 --> 00:23:07,429
And that's a wrap.

412
00:23:07,429 --> 00:23:10,432
Big thanks to Columbia
City Gallery for hosting us.

413
00:23:10,432 --> 00:23:13,727
And a reminder to check out
their two current exhibits,

414
00:23:13,727 --> 00:23:18,398
"Community, Culture, and Soul"
and "Representation Abstraction"

415
00:23:18,398 --> 00:23:20,484
running through April 19th.

416
00:23:20,484 --> 00:23:25,113
Hours and location are
at columbiacitygallery.com.

417
00:23:25,113 --> 00:23:26,823
And thanks to you for watching.

418
00:23:26,823 --> 00:23:30,369
Have a great week,
and we'll see you soon.

419
00:23:30,369 --> 00:23:32,788
Alright. So, of course,
the "Seattle Field Guide,"

420
00:23:32,788 --> 00:23:36,083
there are 38 nature walks
in this book.

421
00:23:36,083 --> 00:23:38,168
I want to point out
one in particular.

422
00:23:38,168 --> 00:23:41,672
It is number 12,
Commodore Park Heron Colony.

423
00:23:41,672 --> 00:23:43,507
We're very close to that. I want
to show you how to get here.

424
00:23:43,507 --> 00:23:45,759
First of all, you can come
from the Ballad side

425
00:23:45,759 --> 00:23:47,386
through the Ballard Locks,

426
00:23:47,386 --> 00:23:49,263
which is what we did.
Just go all the way through,

427
00:23:49,263 --> 00:23:51,139
which is kind of
a fun, little adventure.

428
00:23:51,139 --> 00:23:54,601
Or you can come through Magnolia
on Commodore Way,

429
00:23:54,601 --> 00:23:56,228
which is right over here.

430
00:23:56,228 --> 00:23:57,771
But instead of going that way,

431
00:23:57,771 --> 00:24:00,065
we're going this way
to the herons,

432
00:24:00,065 --> 00:24:03,569
which are right down this path.

433
00:24:03,569 --> 00:24:05,988
Through this little
stand of trees,

434
00:24:05,988 --> 00:24:08,532
very beautiful little spot.

435
00:24:08,532 --> 00:24:10,450
And when we get down here,
Cameraman George

436
00:24:10,450 --> 00:24:13,912
is going to do a beautiful,
sweeping panoramic shot

437
00:24:13,912 --> 00:24:15,539
of the trees.

438
00:24:15,539 --> 00:24:18,876
And keep in mind that big clumps
that you see up there,

439
00:24:18,876 --> 00:24:21,879
like sticks and whatever,
those are the nests, okay?

440
00:24:21,879 --> 00:24:24,798
So here we go. Nice and slow.

441
00:24:24,798 --> 00:24:27,801
[ Birds chirping ]

442
00:24:27,801 --> 00:24:34,391
♪♪

443
00:24:34,391 --> 00:24:41,023
♪♪

444
00:24:41,023 --> 00:24:44,526
Now, what you can't really see
is the parents are up there,

445
00:24:44,526 --> 00:24:46,445
many of them. And, I mean,
there's obviously eggs,

446
00:24:46,445 --> 00:24:49,364
and maybe some of the babies
have pecked out of those eggs

447
00:24:49,364 --> 00:24:50,949
or those shells, you know?
Who knows?

448
00:24:50,949 --> 00:24:52,701
But that's about
what they're doing right now

449
00:24:52,701 --> 00:24:54,536
is they're starting to hatch.

450
00:24:54,536 --> 00:24:57,206
Another thing just to note is
there's a bunch of information

451
00:24:57,206 --> 00:24:59,708
over here against the fence.

452
00:24:59,708 --> 00:25:01,960
And that just gives you a lot
of information about the herons,

453
00:25:01,960 --> 00:25:04,630
how they nest, you know,
kind of the stages

454
00:25:04,630 --> 00:25:06,173
of the little babies
up to the point

455
00:25:06,173 --> 00:25:08,800
where then they fledge.
They fly away.

456
00:25:08,800 --> 00:25:14,389
So, "Seattle Field Guide"
number 12, heron colony.

457
00:25:14,389 --> 00:25:16,099
You want to check it out.

458
00:25:16,099 --> 00:25:22,773
♪♪